漆画教学,lacquer painting teaching
1)lacquer painting teaching漆画教学
1.The establishment of modern teaching mode of Chinese lacquer painting and the raising of creation level is the necessary precondition for thelacquer painting teaching and the integration of subjects.中国漆画的现代教学模式的建立与创作水平的提高是漆画教学与学科教学整合的必要前提。
2)instruction of lacquer painting漆画课程教学
1.with the trend of diversification、systematization and individualization of modern visual arts,theinstruction of lacquer painting should not rest on imitation-oriented teaching mode,but strengthen the cultivation and training of creativity and let the students creativity develop on the basis of their mastery of traditional knowledge.随着现代视觉艺术呈多元化、系统化、个性化发展的趋势,漆画课程教学不能停留在模仿教学模式上加强创新能力的培养和训练,而应使学生在掌握传统知识的基础上发展其创新能力。
3)Traditional Chinese Painting teaching国画教学
1.This article discusses the inherence ofTraditional Chinese Painting teaching in kindergarten from the aspect of traditional culture.幼儿园国画教学对传承中国传统文化和发展幼儿的艺术审美能力有着积极意义。
英文短句/例句
1.A Brief Talk on Creating Chinese Freehand Flower-and-Bird Painting in Class;浅谈中国画教学中写意花鸟画的创作
2.Discussing Chinese Painting Teaching Preliminarily--Talking about Chinese Painting Teaching in University According to the Teaching Thought of Xu Beihong and Pan Tianshou;中国画教学初探——从徐悲鸿、潘天寿教学思想谈当下高校中国画教学
3.Some Thoughts on the Setting of General Education Courses in the Teaching of Traditional Chinese Painting关于国画教学中文化课程设置的思考
4.On "enjoyabie" sculpt--some thoughts on Chinese painting teaching;关于“写意”造型——中国画教学的一点思考
5.On the Problems of Thinking Orientation in the Chinese Painting Teaching;中国画教学的思维导向问题纵横述论
6.Breakthroughs in Chinese Painting Teaching for Normal Majors of Fine Arts;中国画教学在美术师范专业中的突围
7.A Brief Discussion of Reforming Chinese Painting Teaching;内外兼修 融会古今——谈中国画教学改革
8.A Frequently Overlooked Matter in the Teaching of Traditional Chinese Painting;意象性:中国画教学中易被忽视的问题
9.Discussion on the Embarrassment and Coping of the Teaching of Chinese Painting in Colleges论当前高校中国画教学的尴尬与应对
10.The Emotion Expression and the Artistic Conception Creation of Chinese Painting--the brief analysis to training persons of Chinese painting teaching;中国画情感的表达和意境的创造——浅析中国画教学对人的培养
11.The Current Situation and Development in Chinese Painting Teaching to Primary and Secondary School under the Background of Globalization.全球化背景下中小学中国画教学的现状与发展
12.The traditional Chinese painting is an art of life and the traditional Chinese painting teaching is a kind of teaching art envolving the combination of life theory and practice.国画是生活的艺术,国画教学是置身于生活的理论与实践相结合的艺术教学。
13.On Historical Review and Pondering of Present Situation about Traditional Chinese Painting;关于中国画教学的历史回顾和现状思考
14.Liu Aimin, professor, oil-painter and executive director of the Institute of Chinese oil Painting, was once awarded the Nationwide Prominent Teacher.刘爱民，教授，油画家，中国油画学会理事，曾获全国优秀教师奖等。
15.The Teaching and Reference of Art Lan guage in Chinese Figure Panitings中国人物画艺术语言的转化与教学
16.Theories and Practices Research of High School Chinese Painting Appreciation Education;高中中国画鉴赏教学理论与实践研究
17.The Problem Reform of Drawing Teaching of Chinese Painting;中国画专业素描教学中的问题与改进
18.Talk about the importance of sketch in landscape painting teaching谈谈中国山水画教学中写生的重要性
相关短句/例句
instruction of lacquer painting漆画课程教学
1.with the trend of diversification、systematization and individualization of modern visual arts,theinstruction of lacquer painting should not rest on imitation-oriented teaching mode,but strengthen the cultivation and training of creativity and let the students creativity develop on the basis of their mastery of traditional knowledge.随着现代视觉艺术呈多元化、系统化、个性化发展的趋势,漆画课程教学不能停留在模仿教学模式上加强创新能力的培养和训练,而应使学生在掌握传统知识的基础上发展其创新能力。
3)Traditional Chinese Painting teaching国画教学
1.This article discusses the inherence ofTraditional Chinese Painting teaching in kindergarten from the aspect of traditional culture.幼儿园国画教学对传承中国传统文化和发展幼儿的艺术审美能力有着积极意义。
4)stroke teaching笔画教学
5)oil painting teaching油画教学
1.An emphasis on passion and sensibility will change the present stiff and dogmatic way ofoil painting teaching.在教学过程中,注重情与感是改变传统的油画教学课程设置呆板、教学方式教条的有效方法。
2.For a long time, the clementary course system of the professional art colleges hao been adapted in theoil painting teaching in the teachers colleges.长期以来,高师油画教学基本上沿袭了专业美术院校的基础授课体系,与高师培养目标规格要求不相吻合。
3.The Chineseoil painting teaching has passed through teaching practice which has been nearly one hundred years.时至今日,国内部分美术院校油画教学基本仍然保留着“苏联模式”。
6)print teaching版画教学
1.It is an important topic for theprint teaching to seek the self-orientation in the context of art.版画教学如何适应当代的艺术涌潮,寻找在艺术语境中的自我定位,是一个重要的课题。
延伸阅读
北魏屏风漆画北魏屏风漆画一九六五年山西大同北魏司马金龙夫妇墓出土。共有木质漆画五块，每块纵约80厘米、横约20厘米，两面各分四层画。内容采白汉代刘向《列女传》等书，通过帝王，将相，烈女，孝子，高人，逸士等许多人物，旁加题记，榜题，宣扬封建道德。画面以红漆为底，勾墨线，施黄、白、青绿、橙红、灰木板漆画（局部） 蓝等彩色，形象生动逼真。从绘画、漆工工艺看，具有很高的艺术价值，它继承了我国战冈漆画和东汉漆画的优良传统，绘画风格上较之汉代绘画常见的大笔平涂单线勾勒的古拙作风已前进了一大步，采用了色彩渲染及铁线描的手法，色彩富丽，线条流利，画笔极近东晋名画家顾恺之。漆画上的题记，也是少见的北魏墨迹。文字点划方劲，已近楷法，上承汉隶传统，下开隋唐真书的先导，代表着书法上隶楷过渡的风格。司马金龙夫妇墓有北魏延兴四年至太和八年的确切纪年，这一组漆画是南北朝人物画的珍贵资料。
