现代漆画,modern lacquer painting
1)modern lacquer painting现代漆画
1.The focus is on the transform ofmodern lacquer painting and its spiritual orientation to the system of modern painting.物质与精神对立统一的辨证关系对现代漆画创作具有启发性意义。
2.This article focused onmodern lacquer painting in the contemporary art environment under development and conflict,to take care of the seven thousand years lacquer art historical inertia,but also quickly into the contemporary art environment,which makes modern lacquer Painting has become a very embarrassing position.本文主要讨论现代漆画在当代艺术大环境下的发展与矛盾。
英文短句/例句
1.Aesthetic Orientation of Modern Lacquer Painting;漆变——现代漆画的物质性与精神性
2.Chapter 4 is the period of search after for Chinese Modern Lacquer Painting.第四章、中国现代漆画的探索时期;
3.On the Purity and Diversity of Modern Chinese Lacquer-Painting Language;论中国现代漆画语言的纯粹性和多元性
4.About Two Standing Points of Developing Lacquer Painting: Traditional Lacquer Craft and Modern Painting;论漆画发展的两个立足点:传统漆艺和现代绘画
5." China"s unique lacquer painting uses a technique centuries old, and is based on China"s traditional and modern lacquer crafts. Its material, natural lacquer, was discovered even before man knew what painting was."中国独特的漆画技法非常古老,并以中国传统和现代漆器工艺为基
6.A New Art Form Combing Tradition with Modernity--Chinese Lacquer Painting;传统与现代相结合的新兴艺术——中国漆画浅析
7.Parts of old paintings which appear unpleasing to modern artists are sometimes painted out.现代美术家有时对古画中所看不顺眼的部分用油漆涂掉。
8.To make(a picture) with paints.绘画用油漆作(画)
9.A picture or design in paint.画用油漆画的画或设计
10.On the Development of Chinese Contemporary Lacquer Painting;从东西方艺事论中国当代漆画的发展方向
11.The Study of the Novel Materials in Chinese Contemporary Lacquer-painting新型材料在当代中国漆画中的运用研究
12.Modern Decorative Paintings-materials and Techniques of Modern Heavy-color Paintings;现代装饰画-现代重彩画的材料及技法
13.The Fascination of the Handcraft / Analyzing the Characters of Modern Lacquer手工的魅力——浅析现代漆器的特征
14.The radiation discussion of lacquer on modern design for decoration传统漆器色彩对现代包装设计的影响
15.Research & Discovery on Modern Lacquerwork Design--Lacquerwork "Serious Machine" Design Report;现代漆器设计语言实践与探索——漆器“器系列”设计报告
16.Tradition of Nonobjectivism and Traditional Nonobjectivism--on the Nonobjectivism of Chinese Ancient Lacquer Painting;抽象的传统与传统的抽象——论中国古代漆画的抽象特性
17.Modern paintings are not to my taste.现代画不合我的口味。
18.The Best in Modern Chinese Folk Painting中国现代民间绘画选萃
相关短句/例句
The Chinese Modern Lacquer Painting中国现代漆画
1.The Chinese Modern Lacquer Painting is an art for regarding natural lacquer as main materials, it’s special art magic power is other craft difficult to achieve, therefore, Lacquer Art can develo.本文的主要内容是分析中国现代漆画在各个时期的创作观念以及相互之间的传承和演变脉络,详细分析了唯美装饰主义、绘画与小品之争、绘画性和材料性之争、漆画与漆器之争、天然漆与合成漆之争的源起、发展以及影响,同时,对漆画界和理论界的各种观念本身进行了剖析,指出应当重视漆画的形式语言研究。
3)ancient lacquer painting古代漆画
1.Chineseancient lacquer painting is a kind of symbolically visual language, which is rooted from Chinese traditional culture.中国古代漆画中抽象特性是根植于中国传统文化的一种符号性的视觉语言,中国古代哲学、美学的抽象特性造就了漆画内在的抽象特性,"抽象特性"是中国古代漆画重要的"文化基因"。
4)contemporary lacquer painting当代漆画
1.As a traditional and new-arising painting,the Chinesecontemporary lacquer painting is easy to become impul- sive against the background of combination of Chinese and western culture and art globalization.中国当代漆画作为一个古老而新兴的画种,在当今中西文化日益融合和艺术全球化的冲击下,难免产生一种浮躁的情绪和浅薄的骚动。
2.Hunting the orient spirit and noumenal language is the developing chance ofcontemporary lacquer painting.东方精神和本体语言的探求是当代漆画发展的契机。
5)modern lacquer现代漆器
1.The article expounds the characters ofmodern lacquer in terms of designing ideas; developing direction and the prospect; and puts forwards my own opinions.文章以设计思想、发展方向、前景特征三方面来阐述现代漆器的特征,并提出自己的见解。
6)modern fresco现代壁画
1.This sort of creative consciousness and aesthetic interest provide certain enlightenment for ourmodern fresco.本文从壁画的角度索解徐州汉墓画像造型的“意象”特征,它的“意象”造型特色具有一定的典型性,这些大巧若拙的形象和简约的表现手法体现了一种淳朴的精神观念,汉画像石中,蕴含在这些稚拙形象之内的淳朴的美学观念、创造意识、审美趣味等等,恰巧提供给了我们进行现代壁画创作的一种启发作用。
延伸阅读
北魏屏风漆画北魏屏风漆画一九六五年山西大同北魏司马金龙夫妇墓出土。共有木质漆画五块,每块纵约80厘米、横约20厘米,两面各分四层画。内容采白汉代刘向《列女传》等书,通过帝王,将相,烈女,孝子,高人,逸士等许多人物,旁加题记,榜题,宣扬封建道德。画面以红漆为底,勾墨线,施黄、白、青绿、橙红、灰木板漆画(局部) 蓝等彩色,形象生动逼真。从绘画、漆工工艺看,具有很高的艺术价值,它继承了我国战冈漆画和东汉漆画的优良传统,绘画风格上较之汉代绘画常见的大笔平涂单线勾勒的古拙作风已前进了一大步,采用了色彩渲染及铁线描的手法,色彩富丽,线条流利,画笔极近东晋名画家顾恺之。漆画上的题记,也是少见的北魏墨迹。文字点划方劲,已近楷法,上承汉隶传统,下开隋唐真书的先导,代表着书法上隶楷过渡的风格。司马金龙夫妇墓有北魏延兴四年至太和八年的确切纪年,这一组漆画是南北朝人物画的珍贵资料。