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藏品出手联系杨总：17612808540（微信同步）
此件贯耳壶仿自青铜器造型，挺拔俊雅，高足外撇，方阔沈稳；瓶颈两侧附管状双耳。器型仿明投壶式样。通体由上至下起弦纹五道，通体施青釉，釉色青翠，介于梅子青，粉青之间，釉面凝厚莹澈，历千年而精光未泯，愈见宝光内蕴；釉内多有气泡，聚沫攒珠，润泽如酥，口沿釉薄处浅露胎骨，圈足底无釉露灰白胎泛火石红，亦正是高濂《遵生八笺》、文震亨《长物志》所追求的“堂中插花”所用之器，清心古雅。整器敦实质朴，风韵古雅，体现出淡恬古雅的独特艺术风格，一展崇尚纯净一色的审美品味。
This pierced-ear pot is modeled after a bronze vessel, tall and straight, elegant, with high feet curled outward, and square, broad and steady. Tubular ears are attached to both sides of the bottleneck. The shape of the vessel imitates that of the Ming throwing pot. The whole body has five chords from top to bottom. The whole body is glazed with green glaze, which is between plum green and pink green. The glaze is thick and clear, and has remained clean for thousands of years. The more treasure light is contained in it. There are many bubbles in the glaze, gathering foam and beads, moist and crisp, with the thin part of the mouth along the glaze showing the fetal bones, and the flat sole of the circle showing no glaze, and the gray tire showing flint red. It is also the device used in the "flower arrangement in the hall" pursued by Gao Lian"s "Zunsheng Bajian" and Wen Zhenheng"s "Changwuzhi", which is pure in heart and quaint. The whole device is stocky, simple and elegant in style, which reflects the unique artistic style of Tian Tian and Gu Ya, and shows the aesthetic taste of advocating pure color.
定期推送行业资讯，提供艺术品投资，展览展销，鉴定销售，策划出版，市场评估等诸多优质服务，专业的鉴定评估、重服务的行业人！关注我们准没错！
藏品出手联系杨总：17612808540（微信同步）
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